They are just better bits in a large pie that is a disappointment as a whole. Even these aren’t what you would call ‘Paisa Vasool’ considering the mass film it is.
Overall we have a film that follows formula to the T and delivers in parts.
After such a heavy build up, what we get in the end is silly to put it politely. The final nail of sorts is the resolution of the whole tussle between hero and villain. The attempt to freshly present it doesn’t work. The reason for this is extreme repetitiveness in proceedings with sequences that we have already seen many times.
The problem as always lies in the second half where things stagnate pretty soon with nothing exciting happening. The all-important interval works and with it elevates the first half and develops interest in the second half. It continues that way with occasional punches working till the interval block. Sarrainodu begins interestingly and soon digresses into routine mundane. Even the graph of the film is dreadfully similar to his previous films. What works for the film are his typical strengths, action and drama and what fails in the film are his typical weaknesses, comedy and youthfulness. This is a bread and butter kind of film for Boyapati Sreenu. In terms of dances there is nothing special. Whether it is working hundred percent or not, the fact that Allu Arjun is giving it all to the character and showing variation must be appreciated.
Leaving aside that, Allu Arjun is fine and in fact carries the movie with his new mannerism. Although one might feel glimpses of body language seen in other hero’s it’s clear that it is that way due to the style of the director. How these characters get linked to each other and what happens in the end is what the film all about.Īllu Arjun once again seems to be supremely enjoying the while process of acting in this mass entertainer. Gana is a fearless person who fights for anything that he feels is right.
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